Author Archives: Klaas

Stormcase for SAS & SBS sitars

After a long time looking around I found a very suitable case for the SAS & SBS sitars. The “StormCase™ “, model iM3300. This is a professional safe and secure, lightweight (8,6 kg) but very tough and rugged fiber case. It is dent-resistant, shatter-resistant, virtually unbreakable and also watertight…

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Double Neck Electric Sitar

Where will it end ??? “We need a sitar … a double neck actually … with humbucking pickups … and a Floyd Rose bridge … and it all has to function properly.  We need some mock-up renderings by tomorrow and the finished product completed in the next couple of…

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Jora tar intonation on SAS & SBS sitars

Many sitars suffer from an improper intonation. Mostly affected are jora and laraj kharaj strings. If you are lucky you should be able to play comfortable on the first couple of frets only. After this, immediately pulling meend to correct the tone becomes a must. It is almost a…

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Finaly, the third new sitar SAS-02 is also ready. The same Slimbucker™ Jazz guitar pickup, made by Kent Armstrong, as with the SAS-01, Jazz Sitar is used. The only difference with SAS-01 is that on this sitar the taravs and taravbar are not installed. So, I call it the Jazz Sitar “light”…

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If you google “electric sitar” then you ‘ll find over 200.000 hits referring to the Coral “electric sitar” which actually is an early solid body guitar that sounds like a sitar. Vincent Bell invented a number of electric guitar models for Danelectro and Coral. He designed perhaps the first electric…

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Day 63: Removing the hardware to be able to finish the body: Sanding with grid 240 & 400 followed by 2 x pumice powder treatment, which is applied with alcohol and shellack. Ultimate finish counts 4 layers of Danish oil subsequently rubbed with 000 steel wool and drying periods during the following days.

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Day 61: Started with sanding the body with grid 80 & 150. Then making and fitting a tar dan out of extreme hard Indian rosewood. Day 62: Making a new ghodi on walnut wooden feet, and fitting a chrome tailpiece and the main machine heads. Fitting the (5) main…

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Day 60: Same story as with the semi-acoustic guitar avatar. Many archtop guitars are equipped with a decent pickup. So, I choose to try on this sitar a very slim but warm sounding pickup model Slimbucker™ Jazz made by famous american pickup maker Kent Armstrong. This sitar sounds very…

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Day 57: Back to body 3: Glueing the neck front plate and tabli to the body using hot glue. Another delicate job… When glueing the tabli, I used profiled plates to keep the klemsia’s in place. This works a bit more comfortable in stead of using a rope. Day…

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On the SAS-01 I use ordinary mini steel nails (diam. 1mm / lenght 8mm) as tarav mogara. They sound very good at the moment but I think this can be improved one day. But how? By bone, or horn, or… ? Anybody a suggestion ?

Very soon after finishing the first 2 sitars (SBS-02 & SAS-01) I encountered a strange problem. The jora tar, which is now a steel string showed a strange behaviour. After tuning the strings properly and playing a meend on the baj tar (playing string) the jora sensitively raises in…

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Day 55: I mounted 2 single coil Seymour Duncan – Lipstick model pickups and tried out various combinations. One pickup is reverse winded and reverse polarised, creating thus a humbucking combination which gives less distortion and less noise. The potmeters in front offer volume and tone control while a…

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