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Sitar Factory

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Tag Archives: SitarMaking

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2 more Plexitar sitars

Sitar Factory Posted on Sunday, 6 December 2020 by AnandaMonday, 29 August 2022

This year I’ve completed 2 plexiglass sitars. They are 100% See-Tar cloned replicas according to the original Purbayan Chatterjee copy as seen here on this site.

Sound sample:
Play Plexitar on AER Compact 60 amp

Comes with a solid AUER CP 12416 Protective case Pro with locks & wheels in beautiful “blutorange” (vermilion) color.

Posted in curiosity, listen, making | Tagged electric, ForSale, fusion, plexiglass, See-Tar, SitarMaking, varisitari | 2 Replies

SBS-02, with 3 Lipstick pickups

Sitar Factory Posted on Friday, 13 November 2020 by AnandaMonday, 29 August 2022

I have improved the sound of my solid body sitar SBS-O2. I added one Lipstick ‘bridge’- pickup to the combination. The earlier 2 ‘neck’-pickups can be switched in parallel or in series and now smoothly be mixed with the additional ‘bridge’ pickup by means of one of the pot-meters. All the pickups are Seymour Duncan types and the sound possibilities are divers and very inspiring.

Sound sample:
Play SBS-02 & SH101

You hear SBS-02 thru an Orange CRUSH20 distorted amp accompanied by a Roland SH101 synth in a random modulation (complex tanpura) mode …

Note: May not be entirely suitable for pure ICM… 😉

CURRENTLY ONE FOR SALE @ SITAR FACTORY SHOP

Posted in listen, making | Tagged electric, ForSale, fusion, Lipstick, SBS, SitarMaking | 1 Reply

Tabli Info

Sitar Factory Posted on Friday, 15 March 2019 by AnandaFriday, 15 March 2019

Dear friends, please hereby find some info about different styles of tabli. Clicking on the pictures will show up a drawing presenting the thickness (in mm) on different locations of the tabli and a zoom showing details of the surface finishing on the backside. Notice the increased thickness at the jawaris section to prevent indent on the surface.

1. Kartar Chand RS style 1980 Tun wood

2. Naskar RS style Teak wood

3. Hari Chand RS style 2005 Tun wood

4. Rikhi Ram VK style 1970 Tun wood

5. Unknown 1980 RS style Tun wood

6. SAS-02 New style 2008 Walnut wood

Posted in making | Tagged SitarMaking, tabli | 2 Replies

Hybrid Sitar mod

Sitar Factory Posted on Wednesday, 3 August 2016 by AnandaSaturday, 1 May 2021

… the ultimate guitar for sitarists …

Frédéric t’Serstevens is a young and talented sitarist and disciple of Shubhendra Rao and Kushal Das. Since in the beginning he was a dedicated (bass) guitarplayer, he came up with this rather common idea to convert a sitar into a guitar. But now in a suitable and really original way: why not make the accompanying strings, jora, laraj & kharaj, entirely playable on the full neck area?
On traditional sitars, it is common that these strings only can be played (without meend) up to the 4th, 5th, … 7th parda. From then onwards, very frequently, intonation problems occur due to a continuously and significantly increasing strings action. This means that the distance between the string and the frets (pardas) increases too much, and thus the played notes become higher… until unplayable.

The solution is very simple: reduce the strings action by changing the shape of the pardas.

original shape (Rikhi Ram)

hybrid shape (Sitar Factory)

With this kind of new hybrid pardas, mounted on a raised parda lane, the action on the strings is higly reduced. And as such coming very close to a near perfect intonation, comparable to a guitar:

Now even chords can be played perfectly on this instrument… making it the extreme sitar for guitarists, or,… reverse ?? Or just: the ultimate hybrid sitar… 🙂

For more details, please read (on this site): The modification of an acoustic travel sitar into an electric hybrid guitar-sitar.

Posted in varia | Tagged fusion, guitar, Hybrid, parda, SitarMaking, SitarMods, varisitari | 1 Reply

Hybrid Sitar, a real Guitar Sitar

Sitar Factory Posted on Wednesday, 3 August 2016 by AnandaTuesday, 18 January 2022

The modification of an acoustic travel sitar into an electric hybrid guitar-sitar.

Specifications   Materials   Drawings   The modification process

This instrument has been made on demand
The original idea comes from Frédéric t’Serstevens (March 2016)
Design & drawings by Klaas Janssens @ Sitar Factory (April 2016)
Completion by Klaas Janssens @ Sitar Factory (June 2016)

Specifications

Dimensions: 1060mm x 300mm x 130mm (L x W x H)
Neck width: 89mm
Scale: 831mm
Strings action: String configuration: custom sitar (Baj, Jora, Laraj & Kharaj), tuned as guitar
Pardas: 24 custom hybrid shaped
Taravs: 11 traditional with wooden kutis
No cikaris installed

Back

Materials

Body: teak wood
Parts: white fiber & metal
Pardas: Nickel Silver wire 5,0mm diameter
Machine heads: M6 Mini / Schaller
Pickup: Neck & Bridge single coil Telecaster™ guitar pickup / Seymour Duncan
Strings: Silver plated steel N°3 (0,30mm) & N°0 (0,23mm) / Pyramid
Nickel flatwound Jora N°26 (0,46mm) / Pyramid
Nickel flatwound Laraj N°24 (0,56mm) / Pyramid
Nickel flatwound Kharaj N°22 (0,76mm) / Pyramid

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Drawings

1 Parda lane raised

2 Parda custom shaped

original shape (Rikhi Ram)

hybrid shape (Sitar Factory)

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The modification process

1 The original body, removing the original pardas

2 Fitting a raised parda lane, made out of maple & celluloïd

3 Creating a new shaped parda: the hybrid parda

1 = Hybrid parda   2 = Rikhi Ram parda   3 = Traditional parda

4 Mounting a full set (24 pcs) of hybrid pardas

5 Fitting compact electronics control & pickups

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2 Replies

Engravings on Elforyn

Sitar Factory Posted on Sunday, 31 January 2016 by AnandaThursday, 10 December 2020

Elforyn™, a modern synthetic ivory substitute, is very soft and can easily be engraved. The technique is identical to traditional decorative engravings on real ivory, bone, celluloid and plastics. You only need a “pencil” with a hard and sharp end, coloured wax and a scraper. The pencil can be made out of an old and worn triangular file. Shape and sharpen the tip thoroughly with a fine grade grinding stone. Check the sharpness and try to write your name on piece of wasted plastic first. Make sure to engrave the lines equally deep and wide.

Wax is used as a filler. Prepare it by melting it slowly. Be careful not to overheat. Also, …damps can be dangerous! Add some nice colour pigments to the melted wax and stir. Use a scraper to apply the wax on the engravings. Let it cool down and scrape the excess off.

A scraper can be made out of an old and worn blade of a hacksaw. Make the edges surface nicely straight and perfectly even. Don’t be afraid to polish it up. Then learn to scrape by holding it almost perpendicular to the surface.

 

More info on Elforyn™ here: www.elforyn.info

Posted in lutherie, making, varia | Tagged lutherie, SitarMaking | 2 Replies

The See-Tar

Sitar Factory Posted on Thursday, 25 June 2015 by AnandaSaturday, 1 May 2021

Last week Friday, 19/06/2015, I’ve delivered this electric plexiglass sitar to Purbayan Chatterjee. One year has passed since he had asked me to build this instrument for him (May 2014). Initially I found it a weird idea and honestly, I didn’t favour the choice of plexiglass because of the rather unknown and synthetic nature of this material (modified PMMA / Polymethyl methacrylate). In general I prefer working on wood, rather than with plastics. But the unique challenge seduced me completely and I plunged into this venture which took me a year to accomplish.

The moment I finally passed this sitar into Purbayan’s hands was very exciting, for me as well as for him, because this is really the first sitar ever made completely out of plexiglass. The instrument has a breathtaking look. The transparency is 100% and makes it look quite unreal… But, as this is meant to be a professional musical instrument, I was especially wondering how it will behave on stage, how it will sound, will the material withstand the constant changing and heavy tensions caused by the powerful play of an extremely talented professional sitarist like Purbayan Chatterjee…?

Soon after handing over the instrument I went back home and kept my mobile close to me. That same afternoon Purbayan tested the sitar profoundly during the rehearsal for a concert the next day in Brussels with Slang, the impressive jazz/rock band (with flute virtuoso Manuel Hermia) from Belgium.

To my relief no alarm call came, not in the evening, and not in the following morning. A few hours before the concert on Saturday I received an sms from Manuel Hermia writing: “Purbayan loves your sitar!!” and, indeed, a few moments later, when we met in front of the concert stage, his big smile welcomed me,… and,… the concert was marvellous and blew away all my initial questions. Purbayan named the instrument “The See-Tar”, a see-through sitar.

Must read (on this site): The making of a solid body electric sitar in plexiglass.

Posted in curiosity, making | Tagged electric, fusion, plexiglass, See-Tar, SitarMaking, varisitari | 2 Replies

See-Tar, the Plexiglass Sitar

Sitar Factory Posted on Wednesday, 24 June 2015 by AnandaSaturday, 26 March 2022

The making of a solid body electric sitar in plexiglass, the See-Tar.

Specifications    Materials    Drawings    The making of    Press    Video

This instrument has been made on demand
The original idea comes from Purbayan Chatterjee (May 2014)
Design & drawings by Klaas Janssens @ Sitar Factory (September 2014)
Raw plexiglass body is made by Patricia Stoops & Alexander @ Plexi Reine (Januari/April 2015)
Assembly & completion by Klaas Janssens @ Sitar Factory (May/June 2015)

Specifications

Dimensions: 1070mm x 300mm x 105mm (L x W x H)
Neck width: 90mm
Scale: 822mm
Weight: 3,25kg
String configuration: Ustad Vilayat Khansahib
Parda setting: traditional (20 with no Komal Dha or Re)

Back

Materials

Body: modified PMMA (Polymethyl methacrylate) = plexiglass
Parts: Black Buffalo horn & modified PMMA
Pardas: Nickel Silver wire 5,0mm diameter
Machine heads: M6 Mini / Schaller
Pickup: Slimbucker™ Jazz guitar pickup / Kent Armstrong
Strings: Silver plated steel N°3 (0,30mm) & N°0 (0,23mm) / Pyramid
Nickel flatwound Jora N°26 (0,46mm) / Pyramid

Back

Drawings

click on the pictures for zoom or alternative view

Back

The making of

1 The plexiglass body, as coming from Plexi Reine

2 Making the main parts out of black buffalo horn

2.1 taardan

2.2 langot

2.3 jawari


3 Assembly

3.1 taardan & machine heads

3.2 langot

3.3 pardas & cikari posts


4 Installing electronics for sound reproduction

4.1 pickup mount

4.2 potmeters & jack

5 Installing electronics for light effects

6 Amazing color effects


Back

Press



Back

Video

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5 Replies

SAS-01 “Black buffalo” edition

Sitar Factory Posted on Saturday, 9 November 2013 by AnandaWednesday, 21 July 2021

Since the good old stagghorn becomes more and more rare, we are in constant seek for a valid alternative. One of the contenders is the black buffalo horn. Buffalo horn plates are used as material for engraving, for pocket knives, tang blades and japanese cooking knives. The plates are partially covered by bright, natural growth patterns and after polishing it becomes shiny and very durable. The sound is something between stagghorn and ebony. Dense, clear and very warm. Very promising !!

Black buffalo horn plate, as sold at Nordisches Handwerk website.

I’ve made a complete new hardware set out of black buffalo horn for my SAS-01 semi-acoustic sitar: ghoraj (main bridge), langoot (tail mount), mogara (cikari posts) and patri (neck bridge). And it looks good !! Click the pictures for fancy-zoom. 🙂



Posted in making | Tagged fusion, ghoraj, Jawari, JazzSitar, SAS, SitarMaking | 2 Replies

Travel Sitar Mods (3B) … the white sitar

Sitar Factory Posted on Sunday, 21 October 2012 by AnandaThursday, 10 December 2020

After finalizing the structural rough woodwork on the travel-sitar’s body (see Part 1 = Travel Sitar Mods (3A)) the final acts are: completing the body finish and preparing and installing the sitar’s hardware such as godi (jawari), machine heads, strings, pardas and eventually an electro-magnetic pickup.

I’ve painted the body in white using Bio Pin™ waterbased organic white paint and Colortone™ high gloss waterbased finish. The patri, jawari, cikari machine head mount and cikari posts are all made out of Elforyn™. So it became a real “organic & vegan” sitar,… 100% suitable for vegetarians… 🙂

Installing 7 Schaller™ Mini M6 machine heads and 20 bronze pardas N°6.

Main strings gauges :
1) Baj tar : steel, 0,30mm (N°3)
2) Jora tar : nickel flatwound, 0,46mm (N°26)
3) Laraj tar : nickel flatwound, 0,56mm (N°24)
4) Gandhar tar : steel, 0,30mm (N°3)
5) Pancham tar : steel, 0,30mm (N°3)
6) & 7) Cikari tar : steel, 0,23mm (N°0)

Some details :

Posted in making, playing | Tagged RajMusicals, RikhiRam, SitarMaking, SitarMods, varisitari | 1 Reply

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+++ MUST SEE +++

A photo report about the making of...

A Hybrid Sitar

... the ultimate guitar for sitarists

The See-Tar

... a sitar in plexiglass


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