Tag Archives: Making

Intonation blocks

Intonation on the sitar (& surbahar) is a very complex aspect for players to master due to its unique structure and intricate tuning system. Unlike Western stringed instruments with standardized frets, the sitar’s pardas (frets) are movable, allowing players to adjust the intervals between notes to suit different ragas…

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Dear friends, please hereby find some info about different styles of tabli. Clicking on the pictures will show up a drawing presenting the thickness (in mm) on different locations of the tabli and a zoom showing details of the surface finishing on the backside. Notice the increased thickness at…

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My Last See-Tar

A random photoreport on the making of my latest and last plexiglass See-Tar. Read more about the making here: The See-Tar story … and here: 2 more Plexitars

2 more Plexitar sitars

This year I’ve completed 2 plexiglass sitars. They are 100% See-Tar cloned replicas according to the original Purbayan Chatterjee copy as seen here on this site. Sound sample: Comes with a solid AUER CP 12416 Protective case Pro with locks & wheels in beautiful “blutorange” (vermilion) color.

SBS-02, with 3 Lipstick pickups

I have improved the sound of my solid body sitar SBS-O2. I added one Lipstick ‘bridge’- pickup to the combination. The earlier 2 ‘neck’-pickups can be switched in parallel or in series and now smoothly be mixed with the additional ‘bridge’ pickup by means of one of the pot-meters.…

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Tabli Info

Dear friends, please hereby find some info about different styles of tabli. Clicking on the pictures will show up a drawing presenting the thickness (in mm) on different locations of the tabli and a zoom showing details of the surface finishing on the backside. Notice the increased thickness at…

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Hybrid Sitar mod

… the ultimate guitar for sitarists … Frédéric t’Serstevens is a young and talented sitarist and disciple of Shubhendra Rao and Kushal Das. Since in the beginning he was a dedicated (bass) guitarplayer, he came up with this rather common idea to convert a sitar into a guitar. But…

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The modification of an acoustic travel sitar into an electric hybrid guitar-sitar. Specifications   Materials   Drawings   The modification process This instrument has been made on demand The original idea comes from Frédéric t’Serstevens (March 2016) Design & drawings by Klaas Janssens @ Sitar Factory (April 2016) Completion by Klaas Janssens…

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Engravings on Elforyn

Elforyn™ is a modern synthetic ivory substitute and can easily be engraved. The technique is identical to traditional decorative engravings on real ivory, bone, celluloid and plastics. You only need a “pencil” with a hard and sharp end, coloured wax and a scraper. The pencil can be made out…

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The See-Tar

Last week Friday, 19/06/2015, I’ve delivered this electric plexiglass sitar to Purbayan Chatterjee. One year has passed since he had asked me to build this instrument for him (May 2014). Initially I found it a weird idea and honestly, I didn’t favour the choice of plexiglass because of the…

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The making of a solid body electric sitar in plexiglass, the See-Tar. Specifications    Materials    Drawings    The making of    Press    Video This instrument has been made on demand The original idea comes from Purbayan Chatterjee (May 2014) Design & drawings by Klaas Janssens @ Sitar…

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SAS-01 “Black buffalo” edition

Since the good old stagghorn becomes more and more rare, we are in constant seek for a valid alternative. One of the contenders is the black buffalo horn. Buffalo horn plates are used as material for engraving, for pocket knives, tang blades and japanese cooking knives. The plates are…

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