How to Tie Frets
How to Tie Sitar Frets – A Practical Guide for Makers and Players Properly binding sitar frets (pardas) is an essential yet often underestimated aspect of the instrument. The position and fit of the pardas determine not only the playability but also the intonation and tone of the sitar.…
Buddha Systems in Hiren Roy
Engineer and passionate sitar player Ashok Nair has been making excellent pickup systems for sitar and other acoustic musical instruments for several years. They are sold under the name Buddha Systems and are now used by many well-known musicians worldwide. Matyas Wolter is one of them and has been…
Kabul 1900 sitar restoration – Pt2
In a first part, you can learn about this particular ancient instrument, baptised the Kabul sitar, and read a description of how to check and repair the body and make the missing wooden parts. At that time, it was already clear that other important parts were also missing: at…
Kabul 1900 sitar restoration – Pt1
In April 2020, Matyas Wolter stumbled upon some very old Indian musical instruments for sale on ebay in southern Germany. His eye fell on one of them. The description indicated that the instrument was bought in Kabul, Afghanistan, in the mid-1970s. At that time it was already considered old,…
Sarod Guitar / mod II
Ever fallen in love with a sarod but you couldn’t find one? Personally I love the sound of sarod very much but can’t play it. That’s pretty the same problem. Here’s a way out: A simple solution is to convert an existing old guitar into a Sarod guitar. In…
Tom Thumb sitar
A person encounters all sorts of things in life, and so too in the sitar world. I knew that there are children’s sitars (mini sitar or baby sitar) that can also be played, but I had never seen such a gem before. What would you call it? A tiny…
Intonation blocks
Intonation on the sitar (& surbahar) is a very complex aspect for players to master due to its unique structure and intricate tuning system. Unlike Western stringed instruments with standardized frets, the sitar’s pardas (frets) are movable, allowing players to adjust the intervals between notes to suit different ragas…
New Narka series
I made a new set of narkas, this time from the wood of an old broomstick (aspen wood). They are done in different colours and a new SiTAR FAcToRY logo is burnt on them. My dear neighbour girl Felien Swillen is very handy with a small wood burner. She…
Slimbucker on Studiositar
I mounted a Kent Armstrong Slimbucker™ Jazz guitar pickup on a beautiful new Waseem Maner vintage style studiositar. The sitar sounds very natural, with an extra warmth due to enhanced low frequency response typical for this kind of humbucker electro-magnetic pickups. The pickup is tilted to meet the cikaris…
Ustad Ilyas Khan’s HR sitar restoration – Pt2
Foto from left to right: Idris Khan – sitar, Ustad Ilyas Khan – sitar, Tadahiro Wakabayashi – tanpura. Foto © T. Wakabayashi This is the follow-up report to a project on the restoration of a special Hiren Roy sitar. Click here for the first part. Below is the second…
Ustad Ilyas Khan’s HR sitar restoration – Pt1
There is a very special sitar on my workbench. Special in many ways because it belonged to Ustad Ilyas Khan (1924-1989), a lesser known but highly skilled and deserving sitar player, born in Lucknow to a family of musicians. His father belonged to the Shahjahanpur gharana. This unique Hiren…
My Last See-Tar
A random photoreport on the making of my latest and last plexiglass See-Tar. Read more about the making here: The See-Tar story … and here: 2 more Plexitars