Day 55: I mounted 2 single coil Seymour Duncan – Lipstick model pickups and tried out various combinations. One pickup is reverse winded and reverse polarised, creating thus a humbucking combination which gives less distortion and less noise. The potmeters in front offer volume and tone control while a switch on the backside makes series / parallel combination possible.
Day 56: Mounting of the electronics. Drilled holes for the potmeters, wiring and plug. Definitive mounting of the pickups and soldering the wires. Mounting of the backside switch, potmeters and plug.
Day 50: Mounted all 24 pardas on this SAS-01. It’s a very delicate and time-consuming job: first accurate bending and height adjustment followed by binding the pardas.
Day 51: After tuning the sitar properly, I put the pardas to their regular position. Then I draw a map, localizing the taravs to help me situating the best position for mounting the tarav’s machine heads. These will be mounted on a mahogany strip, just like the cikari machine heads on the SBS-02.
Meanwhile this sitar is disassembled again to be able to apply the finish.
Hari Chand often talked to me about this “very fine young American person”. He showed me many pictures in his much used and thumb marked album. And during one of my last visits Hariji proudly presented me a beautiful copy from this unique article written by Jay. It’s a real extensive documentary (4,13Mb pdf), made with sincere care and love. Thank You So Much, Jay.
Today Tineke found a website about his present-day work.