Early 1970, Michel Dumont (Musician, flutist, graduate of the conservatories of Brussels and Valencienne, who became a theatre and opera decorator at La Monnaie/De Munt) together with his wife Martine Mergeay (journalist and music reviewer at La Libre Belgique, Le Vif/L’Express and Musiq3) went to India to explore and learn about Indian Classical Music. They meet Ravi Shankar and purchase a sitar at the Rikhi Ram shop in New Delhi. They stay one year in Benares and face a profound study about raga in instrumental (Michel) as well as in vocal (Martine) techniques.
Last year (2020) unfortunately Michel passed away after suffering a long disease. His sitar remains alone…
It finally arrives on my table. 
It has clearly not been played on for a long time. 
The strings and pardas are rusted and there is a lot of dust on the body. The lacquer on the soundboard has been severely cracked and there is a dull and matte appearance to the whole instrument. The decorations are faded out.
Then I quickly started to remove all the worn parts and the pardas. The lacquer was well sanded and given a new layer of varnish. The decorations were then carefully and neatly scraped off. Then I cleaned and polished all the pardas and put them back on with new orange wires. 
The tuning pegs, too, were given a thorough cleaning and were given a good layer of fresh chalk. The original label was missing, so I copied it by hand as was common in those days. 
The sitar is also getting a new stagghorn jawari ghoraj and, of course, new strings. This extraordinary sitar is now ready for a new life…
And it is one of the best-sounding sitars I have ever held in my hands. The tarav response is exceptional and the tone is particularly well balanced. It is made of exquisite teak wood in an era when a new instrument was still built with great care and of course, by one of the most passionate and experienced builders in India…
See here the result:
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