Category Archives: making

How to Tie Frets

How to Tie Sitar Frets – A Practical Guide for Makers and Players Properly binding sitar frets (pardas) is an essential yet often underestimated aspect of the instrument. The position and fit of the pardas determine not only the playability but also the intonation and tone of the sitar.…

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Sarod Guitar / mod II

Ever fallen in love with a sarod but you couldn’t find one? Personally I love the sound of sarod very much but can’t play it. That’s pretty the same problem. Here’s a way out: A simple solution is to convert an existing old guitar into a Sarod guitar. In…

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New Narka series

I made a new set of narkas, this time from the wood of an old broomstick (aspen wood). They are done in different colours and a new SiTAR FAcToRY logo is burnt on them. My dear neighbour girl Felien Swillen is very handy with a small wood burner. She…

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My Last See-Tar

A random photoreport on the making of my latest and last plexiglass See-Tar. Read more about the making here: The See-Tar story … and here: 2 more Plexitars

Mayur sitar with K&K transducer

This new Mayur sitar, made by Waseem Maner, Miraj 2022, belongs to Visjal Auwerx. K&K Sound make natural-sounding acoustic amplification products and affordable pickups. Their Pure Pickup for acoustic guitars, installed on the guitar’s bridge plate, is a very good choice for achieving a rich, natural guitar sound —…

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Sitanpura in F

Another very good looking but cheap and inferior sitar has been transformed into a tanpura, giving it a new life. It is an old and beautiful body with a nice and big tumba. This time I converted it into a regular 4-string female tanpura, tuned to F. The mounted…

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Juma Mankas

I’ve made a set of mankas and one tarav ghoraj for Zach Ferrara. They are made out of golden dragon snake Juma® blocs. Juma® – the name stands for independently developed and very modern processing material made from a mixture of various mineral base materials, bound in a resin…

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Sitanpura, the Sitar Tanpura mod

Good news for the thousands of “tourist”-grade cheap and crappy sitars, bought in India by trusting tourists eager for buying a “real” sitar as a souvenir. For many of them there is life after years of exile to the attic: the sitanpura is born! I turned this old innocent…

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2 more Plexitar sitars

This year I’ve completed 2 plexiglass sitars. They are 100% See-Tar cloned replicas according to the original Purbayan Chatterjee copy as seen here on this site. Sound sample: Comes with a solid AUER CP 12416 Protective case Pro with locks & wheels in beautiful “blutorange” (vermilion) color.

SBS-02, with 3 Lipstick pickups

I have improved the sound of my solid body sitar SBS-O2. I added one Lipstick ‘bridge’- pickup to the combination. The earlier 2 ‘neck’-pickups can be switched in parallel or in series and now smoothly be mixed with the additional ‘bridge’ pickup by means of one of the pot-meters.…

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Tabli Info

Dear friends, please hereby find some info about different styles of tabli. Clicking on the pictures will show up a drawing presenting the thickness (in mm) on different locations of the tabli and a zoom showing details of the surface finishing on the backside. Notice the increased thickness at…

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More Dieter Zarnitz ghoraj

A new set of ghorajs made by Dieter Zarnitz. The wood comes from leftover pieces of a construction. “Cumaru” is a very fine, hard and durable construction-wood. “Angelim Amargoso” is very heavy and rougher than Cumaru. Both grow in South America. The colour you see is the natural one.…

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